Getting your master tracks is an exciting time – you now have a master recording of your show and you want to share your music with the world!
Whether it is a couple of EP live tracks, or enough for a live album – here are some things that you will want to consider when releasing your music.
Whether you decide to go with streaming (Spotify etc) or physical (CD) platforms, there are additional steps and information gathering that you need to consider before release.
Data that you add to your release helps identify your tracks to the listener on playback, and most importantly in the case of digital streaming platforms, helps your music get discovered.
There are two key differences between how you go about submitting information about your music for streaming, and submitting your information for CD. Streaming metadata is submitted with your WAV music upload to the streaming aggregators, whilst most of the CD track metadata is submitted to third-party databases such as Gracenote.
Here’s how it works …
Apple, Spotify, Tidal, Amazon and Beatport are all streaming platforms that you should consider for your release.
You do not submit your tracks and metadata to each platform, instead you’ll need a digital music distributor (also known as an aggregator) to get your music onto these platforms.
Popular options include:
Streaming platforms have specific audio mastering requirements and sound levels, and we will ensure that these are met on mastering your tracks.
Also known as metadata. Information is digitally attached to the track and identifies Song Title, Artist, and Copyright information as well as a host of other information.
The primary purposes are to ensure that your music can be discovered, that you get paid for listens, that copyright information is properly assigned, and that artwork, track listing and lyrics are shown on device playback. Requirements vary from platform to platform.
Key metadata for streaming includes:
Metadata for physical CD releases is a bit different from digital releases, as traditional audio CDs (known as the Red Book standard) don’t actually store extensive metadata directly on the disc in a way that modern computer media or CD players automatically read.
Here’s a breakdown of what “metadata” means in the context of a physical CD.
Submission: You typically provide the CD-Text information to your CD manufacturer during the mastering and production process. It’s manually encoded onto the CD master before duplication.
MusicBrainz, FreeDB: These are community-driven databases that you can contribute to.
This is often overlooked but is the most immediate “metadata” for someone holding your CD. It’s not digital, but it’s essential information.